I started by only thickening the four most significant points, but I do not think this portray high-end or style.
I then inverted this and increased the width of all of the lines apart form the four significant ones. I think this is more successful, but it is still not a massively distinctive change.
I continued with this concept, by exaggerating this increased line thickness, but it did not have the sophisticated appearance the brand requires.
A discussion with peers took me back to my original idea, but increasing the thickness of all 12 lines and having the 4 significant lines longer as the manipulated feature works much more effectively.

This works well as it highlights the unique part of the logotype well and makes a recognisable feature for the target audience to associate with the brand.
I then experimented with the presentation of the name on a shop front as it was thought to be best presented with a dark background and a light coloured font.
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grey large writing |
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grey medium writing |
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grey small writing |
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white writing |
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