Wednesday, 27 March 2019

Artisan Drinks - Development

Once I had a list of adjectives that were both appropriate for describing a drink and also complimenting a person, I started to look at the different ways in which I could develop some consistency. A campaign is shown to be most effective when it starts with the same tagline/words as it allow for the audience to familiarise and almost start to predict what is coming next, leading to the association to the particular brand. 

Planning:

 

The starting phrases:
I like how ... you are 
You are ...
You look ... 
Ooo, you're ...
I think you are ... 

Design developments:
I like how ... 
This has the adjective in italic as a way of making it stand out more as the concept and in terms of the starting phrase this takes the adjective and presents it in a positive manner, more so than some of the other options. 






Ooo, you're ...
This is a casual approach, but it may not necessarily be something that someone is likely to say out loud so the concept for this reason wouldn't be so strong.





You're so ... 
This is the most likely thing that someone would say to another person when trying to give a compliment, also if someone was hypothetically talking to their drink - or the mixer talking to the spirit.





Feedback:



  • Column 1: bubbly , column 2: tempting, column 3: mouth watering
  • 1: bubbly, 2: tempting, 3: mouth watering and sweet
  • I think if you’re going to just choose one column then I’d go with column 1 or 3
  • maybe 3 more than 1 bc it seems slightly more casual? like you’re more like to say you’re so sweet over i like how sweet you are
Further development:
Moving on from the feedback and the decision that the tagline placement did not allow for it to read as intended, I continued the development jut in terms of visual styles I tried out a couple if different ways of maybe not having the whole background in the block colour etc. but the process shows that it does not produce the same bold outcome that originally was achieved. I do like the idea of maybe using a the box to act as almost a sticker on the billboard or as a way of drawing attention to it. 

The next step shows all of the ways in which the text could be placed if left aligned and then just working with how to place the logo and the tagline in the most effective way but also visually pleasing. I liked the way it was spread across a few lines in terms of filling the space given, but it seemed more to the point and direct when it was singular line as the main focus of the campaign. 



I then took the layout of which I thought was working the best so far and tested the different colour combinations that could be apart of the campaign based on the colours used within the artwork on the bottles. I can now use these as a basis for the next part of the design development. I started to think that maybe a different tagline would work better such as 'it's all in the compliment' but then upon reflection I decided that it only work with this particular part of the campaign and not the overall concept which is about lifting people's spirits through the means of compliments as one element but then also conversation starting etc. 




In response to feedback:
In order to gage exactly how these designs could work in context I used some mock up templates to help visualise them. The compliment in the centre of the advert is obviously the most important part of the campaign and then the tagline ties it all together. The landscape designs show the tagline to follow the compliment an then the logo is placed in the bottom right. This is good, but it is shown to read better when portrait and the logo is then followed by the tagline. 




Further development:
I then thought about how I needed to highlight the adjective or just in general make it stand out much more as a campaign. 



Feedback:
I wasn't 100% sure of what was working so I asked for some more feedback just to clear up any questions / uncertainty that I had. 



- italic as a way of highlighting the adjective
- highlighted
- highlighted stands out much more but change the typefaces to not italic and contrast with the weightings instead
- bubbly in bold and the rest in regular 


I then developed it to this based on the feedback as a quick visual reference to then go by for the rest of the campaign. In terms of design development I need to central align the box and then take the spacing from the first few words and apply it to the edge of the box so that it looks balanced. 

Application development:
As part of the campaign, I wanted to develop some different ways that the advertising can be used in a more fun way. The idea to make stickers seemed to be a very definite decision as they could really be used in many ways and a large number of people would engage with them. People like stickers to collect to use in a personal way so for this reason I did not include the logo as they visually link to the main campaign very accurately so it is with the hope that the association to the brand will have already be made. The stickers will be found stuck onto mirrors in locations such as bar toilets, restaurants, offices and Universities as they will reach the customers 1, likely to use the artisan mixers and 2, likely to take a selfie and upload it to social media - further spreading the campaign. 









Artisan Drinks - Concept feedback


07.03.2019

I used this crit today to talk about the concept rather than the design style because the design style will be developed once the concept is fully confirmed and developed. I spoke about the initial ideas I had had and then lead to the idea of compliments and lifting spirits. I discussed the situations that I identified someone to have a drink - especially ones with a mixer - and what socially they would be feeling. The idea of being in these social situations to lift your spirits and essentially improve your day through social interaction lead to the idea of using compliments as part of the campaign. 

The feedback from the group was positive in regards to this idea and they said that one way it could become more of an intelligent concept would be to link it to the drink and use adjectives that could be used to compliment the person but then also link back to the drink e.g. bubbly, sweet, fizzy. This would bring the concept together and the Artisan Drinks Company would see the relevance to be much stronger and representative of the drinks better than just another campaign that makes people feel better.

The idea to then take the text based print campaign to an interactive level by developing something that could be used in a bar - an environment where the mixers will most likely be used - received a lot of positive feedback. I spoke about maybe taking the compliments from the campaigns but turning them into conversation starters rather than statements could be a good way to push the campaign even further. 

Examples
you look ‘bubbly’
you’re so sweet
you’re so fruity 

we go well together 

Reflection 
  • research adjectives for drinks tastes, qualities, appearances etc.
  • work on copy
  • make sure the adjectives can easily be associated to a drink 
  • research the interactive element of the campaign 
  • develop consistency 

Artisan Drinks - Concept research

To research
- existing positivity campaigns
- mirror based installations 
- complimenting other people 
- execution of the campaign e.g. beer mats, outdoor campaigns, print ads
- finalising the concept to match brand values

- research how copy focused ads are laid out and logos are added

In response to the feedback that the 'lifting your spirits' was a strong concept that could be developed further to something quite interesting and relevant to this brand, I started some research into the ways other companies have approached the idea of spreading happiness and positivity. I will look into existing adverts, art installations and mindful methods. 

Existing positivity campaigns

Nutella - Compliments always make people smile!
Ferrero brought its taste good spread, Nutella, to city streets to create a feel good campaign in Amsterdam. Along with JCDecaux, the team equipped a Nutella-branded digital mupi with speakers from which passers-by could hear the voice of Dutch comedian Ruben van der Meer, who was secretly stationed in a nearby building and watching via a hidden camera, giving them compliments. To add to the event’s positivity, brand ambassadors passed out jars of Nutella featuring kind messages!




The compliment project
In late 2016, San Francisco-based artist Anna Sergeeva designed these compliment posters and created this website for anyone to download them for free.
Since then the project has spread over two million compliments in eight languages around the world and The New York Times referred to it as a “marketing campaign for kindness.”








The compliment campaign
The goal of The Compliment Campaign is to improve the overall mindset in America. The Compliment Campaign will encourage participants to compliment when they feel compelled and not hold back for fear of being awkward. Compliments increase confidence, confidence increases happiness, and a happy life is a healthy life. 






Care cards
Care cards are a set of kind thoughts and helpful little activities to keep you on top of you mental well-being. 









Confidence prompt cards
We all assume that we must accept he levels of confidence we currently possess, but confidence is not a given sometimes and it is always a quality we can learn about and develop in ourselves. 
The design is inspired by Pop Art - used by comic book illustrations, suggesting the playful dynamism associated with confidence. 
'Everyone is afraid - even those who frighten us.'
'Confidence is what translates theory into practice. It should never be thought of as the enemy of good things; it is crucial and legitimate catalyst. We need to develop confidence in confidence. 
'We have not seen enough of the rough drafts of those we admire. Confidence means forgiving ourselves for the horrors of our first attempts.'




Layouts and logos
This part of the research, although not completely concept focused, was useful because once the copy has been finalised it will be important that I present it in the most effective way for it to catch attention and also show the logo in a subtle but powerful manner. Before research, I thought that the majority of copy ads would have the text aligned to the left and then the tag line on the right with the logo. But these examples so far show that it is most common to have the main body of text centre aligned and then the logo sits small at the centre bottom, second to the eye from the main copy. Upon analysis, the block colour backgrounds allow for the copy to stand out the most effectively and those with more imagery on them seem to look a bit too busy









In conclusion
- beer mats more about lifting spirits through conversation, so maybe focusing on a conversation starter that may lead to a compliment
- ad campaign be complimenting the reader of the advert, followed by tagline of 'lifting your spirits'
- outdoor campaign be a little more interactive and less print focused